From umma.umaine.edu |
"triumph of the weed" gabor peterdi |
dominic chavez |
"afternoon swimming" by david hockney |
carlo pittore |
"eight bells" by winslow homer |
but the one that caught my eye and my heart was abe's. again:
i wasn't exactly sure what it was that was calling me at first. there was something familiar about the piece that reminded me of louise nevelson's work...
but there was also much more that was pulling me towards it. making me want to touch it. after sitting with it for awhile, we were asked to do a couple of activities to deepen our experience with the piece. first, a diamante style poem:
door
copper, wood
opening, entering, passing
going through is simple
attending, shading, collecting
warm, varied
keyhole
then, haiku:
a portal, a gate falling to winter
enter simplicity now the keyhole mixed media
follow the lines there. the wood unfinished.
i'm just wondering... how long has it been since you slowed down, and engaged? i felt a slow sigh of relief as i did this. as i spent my day talking with a friend. as i ate lunch in no rush. as i was encouraged to fall into the moment, and the art, and find myself there. and i was there. the keynote speaker told us of an activity where she has adults sit in front of ONE painting in a gallery for TWO HOURS. what would you come up with if you sat for even HALF an hour? even for TEN MINUTES? i'm going to give this a try. i'll let you know what i find out... will you share your experience with us?
This isn't exactly the same, but I NEVER sit still. Once, I sat in my living room on a couch for four hours. I wouldn't let myself move or even shift much. I was pregnant with my first child. I just listened to the sounds and looked at the room and thought. I let nothing distract me. It was lovely. It was a different way of breathing. That baby is now 6 and I don't think I've done it even once since that moment. We don't do it enough, that sitting and engaging with the world without distraction. Thank you for the reminder. Namaste.
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